GIGEIIN > Conservation of Cultural Property Department
As mentioned in the introduction to GIGEIIN, the Faculty of Arts and Design of the University of Toyama has a history of contributing to the development of local craft culture through education and research. It has been working with the national government for over 15 years, including Takaoka Mikurumayama. We have been involved in the conservation and restoration of important designated tangible and intangible folk cultural properties. As a group of researchers specializing in metal crafts, wood crafts, lacquer crafts, architectural structures, and cultural policy, we refine conventional manual techniques through research and production of works, and education. Several years ago, we started using digital techniques such as 3D scanners. We use equipment to collect data on the objects to be repaired. We use this data to discuss and verify the repair work and create jigs and templates for use in the work. Recently, we added staff members specializing in digital technology. We are now capable of generating 3D images by overlaying colors and textures from photographic data while simultaneously collecting 3D data of the repair target. This enables the generation of high-quality digital archives. This is one of my goals. Research and analysis from a scientific perspective is essential when restoring cultural properties. Component analysis is now feasible using a fluorescent X-ray analyzer. We also utilize our strengths as a comprehensive university to conduct research in collaboration with the Faculty of Engineering and
the School of Medicine. We have demonstrated achievements in research. In addition, we would collaborate with highly skilled craft engineers in the Hokuriku region
and cultural property managers of related local governments to achieve more precise and high-quality cultural property preservation for the future. This is also aimed at the development of the next generation. We aim to develop a system that would endure.
When addressing cultural properties, we consider it important 1) to have a wide range of knowledge and high-level skills to perform accurate repairs and 2) to be capable of responding with humility while understanding the various backgrounds of each cultural property.
The Noto Peninsula Earthquake that occurred on January 1, 2024 caused severe damage to the entire Noto Peninsula. We should design and implement measures to support those affected by the disaster and to rebuild the region. The GIGEIIN intends to actively collaborate with activities aimed at revitalizing the local culture.
3D scan for making a precise model of the Karatsu-kunchi “Ichibanzan AkaJishi” a nationally-designated Important Intangible Folk Cultural Property
Washi application process before the Gofun coloring of “Yukiyama”, a decorative parts in Takaoka Mikurumayama.
Investigation of wheel repair for floats at the Jyohana Hikiyama Festival
Survey on repair of Hokodome at Takaoka Mikurumayama Measurement using 3D scanner
3D scanning for exhibition cooperation of the important cultural property “Twelve Eagles” from the National Museum of Arts and Crafts
Data editing of the Crafts Museum “Twelve Eagles” using Zbrush
Measurement Survey for Repair of Four Pillars of Jyohana Hikiyama Festival Stalls
Survey of vermilion lacquer coating on the pillars of the Takaranbashira columns of the Shibata Hikiyama Festival stalls
Enlarged image of a maki-e brush used by Gonroku Matsuda (Neji brush) before washing
Enlarged image of a maki-e brush used by Gonroku Matsuda (Neji brush) after washing
Maki-e brush cleaning by Gonroku Matsuda Attached to brush scissors made by a 3D printer and vibrated with a motor to clean the brush.
3D scanning for repair of “Takaoka Mikurumayama Ichibangai Street Hokodome,” a nationally designated Important Tangible Folk Cultural Property
3D CAD data of the bogie section of the Karatsu-kunchi Ichiban “Red Lion"
Karatsu-kunchi: 1/8th scale model of the “Akashishi” (red lion), the most popular float in Karatsu-kunchi. The cart is made by traditional woodwork technique.
1/8th scale model of the “Akashishi” (red lion), the most popular floats of Karatsu-kunchi
Takaoka Mikurumayama Hokodome Ryutou Mapping
3D scanning of east gate metal fittings of Kanazawa Oyama Shrine
3D data of Oyama Shrine east shrine gate fittings
Futagami Imizu Shrine festival construction surface: using ZBrush to correct details in the scanned data.
Reconstructed imitation masks used in the Futagami Imizu Shrine festival Tsukiyama event.
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